This unique occupation would set the foundation for Serra’s prosperous sculptural career. Meanwhile, he also worked tiresomely in steel mills to support himself during his entire educational tenure. In 1963, Albers stimulated Serra’s creativity by requesting he peer-review his Interaction Of Color, a book about teaching color theory. (He notably considered them all much “more advanced” than himself.) At Yale, Serra also took great inspiration from his teachers, mainly the world-renowned abstract painter Josef Albers. from Yale, during which he met contemporaries Chuck Close, Brice Marden, and Nancy Graves. His interest in art particularly heightened while attending Santa Barbara, given his studies under famous sculptors Howard Warshaw and Rico Lebrun. Serra pursued an English degree from UC Berkeley before transferring to its Santa Barbara campus, where he graduated in 1961. Where He Trained Interaction of Color by Josef Albers, published in 1963, Yale University PressĬalifornia similarly served as home-base throughout his early training in the late 1950s. Later in life, he’d revisit these fascinations through obvious allusions to his days alongside his father at the Marine Shipyard in San Francisco. This adventure ultimately boosted his self-confidence enough to begin drawing, experimenting with his fierce imagination. “All the raw material I needed is contained in the reserve of this memory,” Serra claimed in his old age. There, he gazed longingly at the ship’s hull, admiring its robust curve while it whizzed in the water. Serra recalls one of his first memories on-base witnessing an oil tanker launch, where he became instantly spellbound by his sizable surroundings.
He spent time with his working-class immigrant father, a pipe-fitter at a local Marine Shipyard. Frolicking among the sand dunes in his own backyard, he had little exposure to fine arts early in life.
#Rochard serra free
Richard Serra grew up a free spirit in San Francisco during the 1930s.
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